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Country Girl: Sheryl Crow rigth at home in Nashville — and her newfound sound

Sheryl Crow brings her country music stylings RavinipaviliJuly 19.  |  AP file photo

Sheryl Crow brings her country music stylings to the Ravinia pavilion on July 19. | AP file photo

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Sheryl Crow, Kristen Kelly; 7:30 p.m. July 19, Ravinia, Green Bay and Lake-Cook Roads, Highland Park. $33-$100. (847) 266-5100;

Updated: July 17, 2013 1:47PM

NASHVILLE, Tenn. — Last spring, Sheryl Crow loaded her two young boys aboard a bus and took off on a tour of country music radio stations around the country.

She visited with DJs and programming directors, playing a few songs live, then hopping back on the bus to do it again a few hours down the road. It reminds her, fittingly, of a scene from “Coal Miner’s Daughter,” the life story of Loretta Lynn.

“It really is like the scene where Doo zips up Loretta’s dress and she runs in with her new acetate, her 45, and says, ‘Here’s my new record,’ and she plays something on air, shakes a few hands and leaves,” Crow said. “It really is a throwback to that and it’s the most organic thing I’ve done in years.”

The image is fitting. It was Lynn’s handwritten note asking Crow to appear with the honky-tonk queen on the 2010 Country Music Association Awards that started this journey toward the genre for the 51-year-old singer-songwriter. She has a single, “Easy,” at country radio and will release her first country-oriented album, “Feels Like Home,” on Sept. 10.

When Crow finished that performance with Lynn and Miranda Lambert, Brad Paisley met her backstage and beseeched her to come home to the format she really belonged in. She’d had some success at country in the past, teaming with Kid Rock on “Picture” in 2002. The song was a modest hit and even scored them a vocal event of the year nomination at the 2003 Country Music Association Awards.

Crow thought about it and Paisley’s message took hold. But it meant she would have to change things up and embrace Nashville’s country music culture. Eventually, he helped kick start the new record, suggested producer Justin Niebank and introduced her to songwriter Chris Dubois, who served as a co-writer and informal song editor. She changed her songwriting tack, looking to match the more visceral, storytelling style of the genre.

And no one succeeds in country music without courting radio — thus the bus. Most of country music’s biggest stars started that way and Crow — 20 years after releasing her first album, the five times platinum “Tuesday Night Music Club” — didn’t see herself as exempt, no matter how many millions of albums she’s already sold.

“I say that it’s fun, but it’s the hardest thing I’ve ever done,” Crow said. “Because sitting on the bus and only getting the gratification of only playing like a couple of songs, and then driving for two more hours and then getting to play a couple more songs. It’s really hard, but it’s great, you know? ... I’ve felt really embraced.”

The aptly titled “Feels Like Home” serves as a figurative mile marker in her personal life as well. The title could easily refer to her new life in Nashville, where she moved seven years ago after beating breast cancer. She’s since adopted two young sons, Levi and Wyatt, and settled into the creative community. Her kids go to school with the kids of other artists — she recently held a fundraiser for a local school — and they all see each other at church.

These days her life is all about blending in, something she can do in Nashville. Crow embraced the Music City lifestyle in the studio, too. Each song of her eighth album’s 12 tracks was co-written with another songwriter, a first. She brought in old songwriting friend Jeff Trott, but she also worked with Nashville songwriters and even enlisted Paisley to co-write a song, “Waterproof Mascara.”

“It wasn’t until I moved [to Nashville] that I realized what an amazing community it is,” she said. “It’s the thing I’ve been missing my whole career, the feeling of being able to sit around with a guitar and have people know each other’s songs and know songs from people who’ve influenced all of us. When I moved here pretty early on Vince Gill started calling me to do guitar pulls, and I thought, gosh, this is just like heaven on earth down here.”


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